This poster print was created to promote Wussy Mag's annual screening of Practical Magic as part of their "WitchyVision" series. Fine art prints of the design were available at the screening. The original hand-painted artwork was rendered in gouache.

This poster print was created to promote Wussy Mag's annual screening of Practical Magic as part of their "WitchyVision" series. Fine art prints of the design were available at the screening. The original hand-painted artwork was rendered in gouache.

This poster print was created to promote Wussy Mag's 30th anniversary screening of John Waters' Serial Mom at the Plaza Theatre. Attendees could purchase a fine art print of the design at the screening and have it signed by Mink Stole and Peaches Chr

This poster print was created to promote Wussy Mag's 30th anniversary screening of John Waters' Serial Mom at the Plaza Theatre. Attendees could purchase a fine art print of the design at the screening and have it signed by Mink Stole and Peaches Christ at the accompanying meet and greet. The original artwork is based on the infamous prank call scene and takes influence from 50s pulp comics.

This poster print commemorated a special screening of the new 4K restoration of Cemetery Man aka Dellamorte Dellamore for Plazadrome, a collaboration between Videodrome and the Plaza Theatre. The gouache on paper artwork took influence from the origi

This poster print commemorated a special screening of the new 4K restoration of Cemetery Man aka Dellamorte Dellamore for Plazadrome, a collaboration between Videodrome and the Plaza Theatre. The gouache on paper artwork took influence from the original graphic novel on which the film is based as well as Bocklin's Isle of the Dead.

This poster print was created to promote Wussy Mag's Arthouse screening Funeral Parade of Roses at the Tara Theatre. Attendees could purchase a print as well as buttons bearing the rose stamp symbol from the film.

This poster print was created to promote Wussy Mag's Arthouse screening Funeral Parade of Roses at the Tara Theatre. Attendees could purchase a print as well as buttons bearing the rose stamp symbol from the film.

This poster print was created to promote Wussy Mag's Arthouse screening of Desert Hearts at the Tara Theatre and depicts the first meeting of the two main characters in this sapphic love story. Attendees could purchase a fine art print of the design

This poster print was created to promote Wussy Mag's Arthouse screening of Desert Hearts at the Tara Theatre and depicts the first meeting of the two main characters in this sapphic love story. Attendees could purchase a fine art print of the design at the screening.

This poster publicized the 2023 Gothic South Film Night, a showcase of southern gothic films by southern filmmakers at Atlanta’s Historic Plaza Theatre. Each object depicted in the alcove relates to one of the four films showcased in the event.

This poster publicized the 2023 Gothic South Film Night, a showcase of southern gothic films by southern filmmakers at Atlanta’s Historic Plaza Theatre. Each object depicted in the alcove relates to one of the four films showcased in the event.

Both the illustration and type design were utilized in print and across social media. The artwork was also projected before the showcase onto the curtains of the Plaza Theatre (pictured).

Both the illustration and type design were utilized in print and across social media. The artwork was also projected before the showcase onto the curtains of the Plaza Theatre (pictured).

This poster print commemorated a special 35 mm screening of Anna Biller’s The Love Witch for Plazadrome, a collaboration between Videodrome and the Plaza Theatre. The gouache on paper artwork took influence from the Raider-Waite tarot and technicolor

This poster print commemorated a special 35 mm screening of Anna Biller’s The Love Witch for Plazadrome, a collaboration between Videodrome and the Plaza Theatre. The gouache on paper artwork took influence from the Raider-Waite tarot and technicolor palette of the film.

This poster print commemorated a special screening of the new restoration of Party Girl (1998) in conjunction with Plazadrome, the Atlanta Film Festival, and Fun City Editions. Taking influence from the Sisyphusian, often chaotic, struggle of library

This poster print commemorated a special screening of the new restoration of Party Girl (1998) in conjunction with Plazadrome, the Atlanta Film Festival, and Fun City Editions. Taking influence from the Sisyphusian, often chaotic, struggle of library work, the falling catalogue cards depict the titles of books and media referenced in the film. It was rendered in gouache on paper and reproduced as a poster print. This artwork was design in tandem with library “catalogue card” hand outs that accompanied the screening (pictured right).

This poster publicized a screening of the 1973 surrealist Polish film The Hourglass Sanatorium for the 23rd Atlanta Jewish Film Festival. It was rendered in gouache on paper and took influence from the stunning visuals in the film and the surrealist

This poster publicized a screening of the 1973 surrealist Polish film The Hourglass Sanatorium for the 23rd Atlanta Jewish Film Festival. It was rendered in gouache on paper and took influence from the stunning visuals in the film and the surrealist paintings of René Magritte. It was reproduced as a poster print and utilized for promotion across the AJFF’s website and social media.

This fine art poster print of Isabelle Adjani in the famous subway scene from Andrzej Żuławski’s Possession (1981) was created for Videodrome, Atlanta’s last video store. The text took influence from type design during the Weimar period in Berlin. T

This fine art poster print of Isabelle Adjani in the famous subway scene from Andrzej Żuławski’s Possession (1981) was created for Videodrome, Atlanta’s last video store. The text took influence from type design during the Weimar period in Berlin. The image was rendered in gouache and then completed digitally.